From: <ÓÉ Microsoft Internet Explorer 5 ±£´æ> Subject: Michel Foucault - Wikipedia, the free encyclopedia Date: Mon, 20 Dec 2004 16:36:53 +0800 MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_000_0005_01C4E6B2.1D152A30"; type="text/html" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C4E6B2.1D152A30 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Content-Location: http://en.wikipedia.org/wiki/Michel_Foucault Michel Foucault - = Wikipedia, the free encyclopedia

Michel Foucault

From Wikipedia, the free = encyclopedia.

Michel Foucault (October 15, 1926 =96 June 26, 1984) was a French philosopher and = self-titled=20 "historian=20 of systems of thought". His writings have had an enormous impact on many = fields=20 including literary = criticism=20 and theory, = philosophy=20 (especially philosophy = of=20 science in the French-speaking world), critical = theory, history, history of = science=20 (especially scientific medicine), critical = pedagogy, and=20 the sociology = of=20 knowledge, which he transformed altogether.

He is considered a postmodernist = and a poststructuralis= t,=20 though some consider his earlier works, especially The Order of = Things,=20 to be structuralist, = which is=20 the label Foucault was given at the time. He was cagey about this label=20 initially, though, and ultimately totally denied its applicability to = his work.=20 He moreover considered himself to be a participant in the tradition of = modernity,=20 hence the postmodern label is = also=20 somewhat dubious - although this is so in very many cases where it is=20 applied.

Contents
1=20 Biography
2=20 Works

2.1=20 Madness and Civilization
2.2=20 The Birth of the Clinic
2.3=20 The Order of Things
2.4=20 The Archaeology of Knowledge
2.5=20 Discipline and Punish
2.6=20 The History of Sexuality
2.7 = Lectures
2.8=20 Terminology

3 = Influences
4=20 Bibliography (monographs)
5=20 Works available online
6=20 External links
[edit]

Biography

Foucault was born in 1926, in Poitiers, France, as Paul-Michel = Foucault,=20 to a notable provincial family. His father, Paul Foucault, was an = eminent=20 surgeon. Foucault later dropped the 'Paul' from his name however, = presumably=20 because of his stormy relationship with his father. His early education = was a=20 mix of success and mediocrity until he attended the Jesuit College=20 Saint-Stanislaus where he excelled. During this period, Poitiers was = part of=20 Vichy = France and=20 later came under German occupation. After the war, Foucault gained entry = to the=20 prestiguous =C9col= e Normale=20 Sup=E9rieure, the traditional gateway to an academic career in France.

Foucault's personal life at the Ecole Normale was difficult - he = suffered=20 from acute depression,= even=20 attempting suicide. He was taken = to see a=20 psychiatrist. Despite this, or perhaps because of this, Foucault became=20 fascinated with psychology. Thus, = in addition=20 to his license in philosophy he also earned a license = in=20 psychology, and was involved in the clinical arm of the discipline where = he was=20 exposed to thinkers such as Ludwig = Binswanger and=20 Daniel=20 Lagache.

Like many 'normaliens', Foucault joined the French = Communist=20 Party from 1950=20 to 1953. = He was=20 inducted into the party by his mentor Louis = Althusser. He left=20 due to concerns about what was happening in the Soviet Union = under Stalin. = Unlike most=20 party members, Foucault never actively participated in his cell.

Foucault passed his agr=E9gation in = 1950. After a brief = period=20 lecturing at the Ecole Normale, he took up a position at the Universiy=20 of Lille, where from 1953 to 1954 he taught = psychology. In 1954 = Foucault published=20 his first book, Maladie mentale et personnalit=E9, a work which = he would=20 later disavow. It soon became apparent that Foucault was not interested = in a=20 teaching career, and he soon undertook a lengthy exile from France. In = 1954 = Foucault served=20 France as a cultural delegate to the University = of=20 Uppsala in Sweden (a position = arranged for=20 him by Georges = Dum=E9zil, who was=20 to become a friend and mentor). In 1958 Foucault left Uppsala = for=20 briefly held positions at Warsaw and at the University=20 of Hamburg.

Foucault returned to France in 1960 to complete his = doctorate and=20 take up a post in philosophy at the = University=20 of Clermont-Ferrand. There he met Daniel Defert, = with whom=20 he lived in non-monogamous partnership for the rest of his life. In 1961 he = earned his=20 doctorate by submitting two theses (as is customary in France): a = 'major' thesis=20 entitled Folie et d=E9raison: Histoire de la folie =E0 l'=E2ge = classique and=20 a 'secondary' thesis which involved a translation and commentary on = Kant's=20 Anthropology from a Pragmatic Point of View. Folie et = d=E9raison=20 (published in English as Madness and Civilization) was = extremely=20 well-received. Foucault continued a vigorous publishing schedule. In 1963 he = published=20 Naissance de la Clinique (Birth of the Clinic), = Raymond=20 Roussel, and a reissue of his 1954 volume (now entitled = Maladie mentale et psychologie) which he would again = disavow.

Following Defert's military posting to Tunisia, Foucault next = moved to=20 a position at the University=20 of Tunis in 1965.=20 In 1966 = he published=20 Les Mots et les choses (The Order of Things), which = was=20 enormously popular despite its length and difficulty. This was during = the height=20 of interest in structuralism = and Foucault=20 was quickly grouped with scholars such as Jacques Lacan, = Claude = Levi-Strauss,=20 and Roland Barthes = as the=20 newest, latest wave of thinkers set to topple the existentialism = popularized by=20 Jean-Paul = Sartre. By=20 now Foucault was militantly anti-communist, and some considered the book = to be=20 right wing, while Foucault quickly tired of being labeled a = 'structuralist'. He=20 was still in Tunis=20 during the student rebellions, = but was=20 profoundly affected by a local student revolt earlier in the same year. = In the=20 fall of 1968 he=20 returned to France, where he published L'archaeologie du savoir = - a=20 response to his critics - in 1969.

In the aftermath of 1968, the French = government created=20 a new experimental university at Vincennes. Foucault = became the=20 first head of its philosophy department in December of that year. He = appointed=20 mostly young leftist academics, whose radicalism resulted in the French = ministry=20 of education withdrawing accreditation from the department. Foucault = notoriously=20 also joined students in occupying administration buildings and fighting = with=20 police.

Foucault's tenure at Vincennes was = short-lived, as=20 in 1970 = Foucault was=20 elected to France's most prestigious academic body, the Coll=E8ge de = France as=20 Professor of the History of Systems of Thought. His political = involvement now=20 increased, Defert having joined the ultra-Maoist Gauche=20 Proletarienne (GP), with whom Foucault became very loosely = associated.=20 Foucault helped found the Prison Information Group (in French: Groupe=20 d'Information sur les Prisons, or GIP) to provide a way for prisoners to voice = their=20 concerns. This fed into a marked politicization of Foucault's work, with = a book,=20 Surveiller et Punir (Discipline and Punish) about the = prison=20 system.

In the late 1970s political activism = in France=20 tailed off, with the disillusionment of many if not most Maoists, = several of=20 whom underwent a complete reversal in ideology, becoming the so-called = New = Philosophers, often=20 citing Foucault as their major influence, a status about which Foucault = had=20 mixed feelings.

Foucault began to spend more time in America, at SUNY=20 Buffalo (where he had lectured on his first ever visit to the United = States=20 in 1970) = and more=20 especially at UC Berkeley. = Foucault found=20 a community within the gay culture in San=20 Francisco, particularly in the S&M = culture,=20 although he would not have identified as gay. Foucault died of AIDS-related = complications in Paris in = 1984.

[edit]

Works

Foucault's major works contain a few common elements and themes. His = most=20 common concern is with the idea of power, its = relation=20 with knowledge (the sociology = of=20 knowledge) and how it manifests in a given historical context. He = breaks=20 history into a series of epistemes, which are = defined as=20 a given arrangement of power within a culture.

Foucault does not use power purely in the sense of physical or = military=20 might, although these are certainly elements of power. For Foucault, = power also=20 exists in the ways in which social orders are arranged. Foucault argues = that=20 being recognized as having knowledge is also a source of power, because = it lets=20 you speak authoritatively about what other people are, and why they are = that way=20 - Foucault does not see power as formal, but as the various methods that = ingrain=20 themselves by way of social institutions and the positing of a form of=20 truth.

So, for instance, when Foucault looks at the history of prisons, he = does not=20 merely look at the ways in which guards are physically given power (i.e. = security systems, batons, etc) but in the way that they are socially = given power=20 - the way in which the prison is designed to give prisoners a particular = idea of=20 who they were, and to make them internalize particular methods of = behavior. He=20 also looks at the development of the idea of "the criminal," and how the = nature=20 of what a criminal is has changed over time, thus changing the dynamics = of=20 power.

For Foucault, "truth" (that is, what = functions as=20 truth or is taken as truth in a given historical situation) is produced = by the=20 operations of power, and the human subject is simply a handle for the=20 manipulation by power of bodies.

For Foucault, power that is determined through systems of truth could = be=20 challenged by appeal to disqualified forms of discourse, = knowledge, history,=20 etc., through the privileging of body over abstract intellect, and=20 through artistic self-creation.

Foucault's books tend to be densely written and packed with = historical=20 information, particularly small "minutiae," that serve to illustrate his = theoretical points with memorable examples. Critics of Foucault, = however, often=20 claimed that he was insufficiently careful in his history, and that he=20 frequently misrepresented things, or simply made them up entirely.

[edit]

Madness and Civilization

Madness and Civilization is an abridgement of the French = book=20 Folie et deraison, published in 1961. It was Foucault's = first major=20 book, written while teaching French in Sweden. It looked at the way in = which the=20 idea of madness had developed = through=20 history.

Foucault starts his analysis in the Middle Ages, = noting how lepers = were locked=20 away. From there, he traces the history through the idea of the ship of=20 fools in the 15th century, and = the=20 sudden interest in imprisonment in 17th century = France. He=20 then looks at the way in which madness was treated as a disease associated = with women,=20 and caused by their wombs becoming dislodged = and=20 wandering around their bodies. Eventually, madness became thought of as = a malady=20 of the soul, and, finally, with Freud, as mental=20 illness.

Foucault also pays a lot of attention to the treatment of madmen, and = the way=20 in which the madman went from an accepted part of the social order to = being=20 someone who was confined and locked away. He also looked at the ways in = which=20 people tried to treat the insane, particularly the cases of Philippe Pinel = and Samuel=20 Tuke. He claimed that the treatments offered by these men were in = fact=20 brutal and cruel. Tuke's country retreat for the mad consisted of = punishing the=20 madmen until they learned to act normally, effectively intimidating them = into=20 behaving like well-adjusted people. Similarly, Pinel's treatment of the = mad=20 amounted to an extended aversion = therapy,=20 including such treatments as freezing showers and use of a straitjacket. = In=20 Foucault's view, this treatment amounted to repeated brutality until the = pattern=20 of judgment and punishment was internalized=20 by the patient.

[edit]

The Birth of the Clinic

Foucault's second major book, The Birth of the Clinic: An = Archaeology of=20 Medical Perception (Naissance de la clinique: une archeologie = du regard=20 medical in French) was published in 1963 in France, and = translated to=20 English in 1973.=20 Picking up from Madness and Civilization, Birth of the = Clinic=20 traces the development of the medical profession, and specifically the=20 institution of the medical clinic or hospital.

[edit]

The Order of Things

The Order of Things: An Archaeology of the Human Sciences is = the=20 English title of the French Les Mots et les choses: un archeologie = des=20 sciences humaines, published in 1966, and translated to = English in=20 1970. It = is this book=20 that brought Foucault to prominence as an intellectual figure in France. = It was=20 attacked by Jean-Paul = Sartre as=20 'the last rampart of the bourgeoisie'. The = main=20 thesis of the book was to show how there were in all periods certain = underlying=20 conditions of truth that constituted what was acceptable as, for = example, scientific=20 discourse, and that that changed over time, in large shifts, from one episteme to=20 another.

[edit]

The Archaeology of Knowledge

Published in 1969,=20 this volume was Foucault's main excursion into methodology. He wrote it = in order=20 to deal with the reception that Les Mots et les choses had = received. It=20 is significantly influenced by Anglo-American analytical=20 philosophy, particularly speech act theory. = Foucault=20 wants us to awake from our =93anthropological sleep=94 and his theory of = discursive=20 practice that he describes in the Archaeology of Knowledge is = his=20 method for arriving at this insight.

Foucault directs his analysis toward the statement, the basic unit of = discourse that=20 he believes has been ignored up to this point. Statements have no stable = unit;=20 they depend on the conditions in which they emerge and exist within a = field of=20 discourse. They are not propositions, utterances,=20 or speech=20 acts (Although Foucault later recognized the similarities between = statements=20 and speech acts as defined by Searle). It is this = group of=20 statements toward which Foucault aims his analysis =96 an analysis that = examines=20 the serious speech acts on the level of literal meaning, rather than = looking for=20 some deeper meaning.

This turn away from meaning moves Foucault =93beyond hermeneutics=94. = Foucault=92s=20 posture toward the statements is radical. Not only does he bracket out = issues of=20 truth; he also brackets out issues of meaning. Rather than looking for = the=20 source of meaning in some transcendental subject or against the = background of=20 practices, Foucault denies that meaning is even relevant to his needs. = He merely=20 sets out to describe in detail how truth claims emerge, on what was = actually=20 said and written, and how it fits into the discursive formation. He = wants to=20 avoid all interpretation and to depart from the goals of hermeneutics. = This=20 posture allows Foucault to move away from an anthropological standpoint = and=20 focus on the role of discursive practices.

Dispensing with meaning would appear to lead Foucault toward structuralism. = However,=20 (as Foucault constantly states), he is not a structuralist. He refuses = to=20 examine statements outside of their role in the discursive formation and = he also=20 refuses to examine possible statements that could have emerged = from=20 such a formation. His identity as a historian emerges here, for he is = only=20 interested in describing statements that actually occur in history. The = whole of=20 the system and its discursive rules determine the identity of the = statement;=20 therefore there is no point in distinguishing possible statements from = actual=20 ones. The actual statements are the only possible ones in a discursive = system.=20 One should, therefore, only describe specific systems that determine = which types=20 of statements emerge.

Having defined his work in opposition to both hermeneutics and = structuralism,=20 Foucault must develop a new way for systematizing discourse. Foucault = examines=20 the inadequacies of the four ways in which statements have typically = been=20 categorized =96 by the objects to which they refer, by the subjects that = can speak=20 legitimately, by the concepts employed, and by the strategies commonly = used. He=20 quickly dismisses the traditional methods, noting their contrived = character. It=20 is discursive formations that shape these groups, not the other way = around.=20 Objects of study and concepts, rather than creating groups, are = themselves a=20 product of discourse, and therefore, cannot define the groupings. = Practices,=20 rather than determining discourse, are determined by it.

Foucault seeks to systematize discourses by the internal rules = governing=20 discursive formations. By refusing to bring in outside determinants for = the=20 rules governing discourse, Foucault is staking a claim to the autonomy = of=20 discourse. But he goes even further. He claims that it is discourse that = shapes=20 the relationship between statements and the practices that emerge around = them.=20 Therefore, discourse is not only granted autonomy, but also primacy over = these=20 relationships. The general system of discursive formation makes possible = the=20 existence of statments in a given historical period, what can and = can=92t be said,=20 what can be conceived as a relevant object and what can=92t. The = description of=20 these different discursive practices in different eras is the goal of = the=20 archaeology of knowledge.

Describing the discursive relations of a given historical era by = examining=20 what is said fosters a discontinuous view of history. Rather than = depicting=20 history as a progressive trajectory from one discursive system to = another,=20 Foucault creates an understanding of history that tends to isolate = different=20 discursive formations from each other. He is not interested in the = empirical=20 succession between these various eras, only to describe them in their=20 totality.

[edit]

Discipline and Punish

Discipline and Punish: The Birth of the Prison was = translated to=20 English in 1977, from the French Surveiller et punir: Naissance de = la=20 prison, published in 1975. Although Foucault himself was always at = pains to=20 contend that his various books were theoretically continuous with one = another,=20 it is at the same time possible to argue that Discipline and = Punish=20 marks a break with his earlier 'archaeological' study of 'epistemes' of=20 knowledge, in favour of an approach studying historical patterns not = only=20 knowledge but of practices. The book's Nietzschean preoccupation with = power, its=20 unsettling structure and arguments, and its peculiar historical approach = sometimes seen as a good example of French post-structuralism.

The book opens with its famous juxtaposition of a graphic description = of the=20 brutal public execution of Damiens the Regicide with a colourless prison = timetable from a little over 80 years later, and enquires as to how such = a=20 change in how French society punished could have come about over such a = short=20 period of time. The book makes the controversial argument that the = explanation=20 is not that society has become more civilised but that it has developed = a more=20 'efficient' way of punishing. The two contrasting ways of punishing are=20 snapshots drawn from the first and third types of what Foucault terms=20 'technologies of punishment'. The first, the 'monarchical' technology of = punishment involves the repression of the populace through brutal public = executions = and torture. The=20 second, 'classical' punishment, involves the use of proportionate prison = sentences. The third, 'disciplinary punishment' - which according to = Foucault is=20 the form of punishment practised today - gives 'professionals' = (psychologist,=20 program facilitators, parole officers, etc.) power over the prisoner in = the=20 sense that the prisoner's length of stay often depends on the opinion of = these=20 professionals. Foucault compares modern society with Jeremy = Bentham's=20 (unrealised) "Panopticon" = circular design=20 for prisons, in which a single guard can watch over many prisoners while = themselves remaining unseen. The dark dungeon of pre-modernity has = become=20 replaced with the bright modern prison, but Foucault cautions that = "visibility=20 is a trap" - it is through this optics of seeing that modern society = exercises=20 its controlling systems of power/knowledge: "The Gaze". In this way, = Foucault=20 suggests that there is something that connects the maximum security = prison with=20 our everyday working and domestic lives, namely the (witting or = unwitting)=20 supervision (surveillance, application of norms of acceptable behaviour) = of some=20 humans by others. There is a 'carceral continuum' stretching from the = prison,=20 through to secure accommodation, to probation, social workers, the = police,=20 teachers... and us ourselves. Discipline and Punish remains=20 controversial and thought-provoking today. As a work of history it is = highly=20 questionable, and is also (famously) internally contradictory in terms = of the=20 efficacy of the disciplinary penal system. Nevertheless, in its own = distinctive=20 way, it remains a classic.

[edit]

The History of Sexuality

Three volumes of The History of Sexuality were published = before=20 Foucault's death in 1984. The first and most referenced volume, An=20 Introduction (Histoire de la sexualite, 1: la volonte de = savoir in=20 French) was published in France in 1976, and translated in 1977, = focusing=20 primarily on the last two centuries, with and the functioning of = sexuality as a=20 regime of power and related to the emergence of biopower The second = two=20 volumes, The Use of Pleasure (Histoire de la sexualite, II: = l'usage=20 des plaisirs) and The Care of the Self (Histoire de la = sexualite, III: le souci de soi) dealt with the role of sex in = Greek and=20 Roman antiquity. Both were published in 1984, the year of Foucault's = death, with=20 the second volume being translated in 1985, and the third in 1986. A = fourth=20 volume, dealing with the Christian era, was more-or-less complete at the = time of=20 Foucault's death, but Foucault explicitly forbade any posthumous = publication of=20 his work, though this has been interpreted pretty liberally.

[edit]

Lectures

From 1970 until his death in 1984, for part of the year nearly every = year,=20 Foucault gave a course of lectures and seminars weekly at the Coll=E8ge de = France as=20 the condition of his tenure as professor there. All these lectures were=20 tape-recorded, and Foucault's transcripts also survive. This has made = possible,=20 starting in 2001, for them to be re-edited for publication as books in = French,=20 and thence their translation into English. So far, two sets of lectures = have=20 appeared in English: Society Must Be Defended and = Abnormal. A=20 set of Foucault's lectures from UC Berkley has also appeared as = Fearless=20 Speech.

[edit]

Terminology

Terms coined or largely redefined by Foucault, as translated into=20 English:

[edit]

Influences

Foucault's influences:

  • Louis = Althusser -=20 French structuralist Marxist philosopher and Foucault's sometime = teacher.=20
  • Georges = Bataille -=20 French Nietzschean political and aesthetic philosopher.=20
  • Georges = Canguilhem=20 - prominent French historian of science.=20
  • Gilles = Deleuze - French=20 philosopher. A great friend and ally of Foucault's in the early 1970s. =
  • Georges = Dum=E9zil -=20 French structuralist mythologist, known for his reconstruction of Indo-Aryan=20 mythology.=20
  • Martin = Heidegger -=20 German philosopher whose influence was enormous in post-war France. = Foucault=20 rarely referred to him, but called him 'the essential philosopher'.=20
  • Jean = Hyppolite -=20 prominent French Hegel scholar and = Foucault's=20 sometime kh=E2gne=20 teacher.=20
  • Karl=20 Marx - Marx's influence in French intellectual life was dominant = from 1945=20 through to the late 1970s. Foucault often found himself opposing = Marxists, but=20 claimed that he still quoted Marx without acknowledging him during = this time=20 as a kind of game.=20
  • Maurice=20 Merleau-Ponty - prominent French philosopher and sometime teacher = of=20 Foucault. Phenomenologist= =20 instrumental in popularising Saussure'= s structuralism = for a=20 philosophical audience.=20
  • Friedrich=20 Nietzsche - idiosyncratic German philosopher. Influenced = Foucault's=20 conception of society and power.=20
  • Roland = Barthes - French=20 (post) structuralist literary critic who was at one time very close to = Foucault.
[edit]

Bibliography (monographs)

  • Maladie mentale et personnalit=E9 (1954); reed. = Maladie mentale=20 et psychologie (1995) (Mental Illness and Psychology)=20
  • Histoire de la folie =E0 l'=E2ge classique - Folie et = d=E9raison (1961)=20 (Madness and Civilization - although this is a revised = version)=20
  • Naissance de la clinique - une arch=E9ologie du regard = m=E9dical=20 (1963) (The Birth of the Clinic: An Archaeology of Medical=20 Perception)=20
  • Les mots et les choses - une arch=E9ologie des sciences = humaines=20 (1966) (The Order of Things: An Archaeology of the Human = Sciences)=20
  • La pens=E9e du dehors (1966) ('Thought of the Outside')=20
  • L'arch=E9ologie du savoir (1969) (Archaeology of=20 Knowledge)=20
  • L'ordre du discours (1971) ('The Order of Discourse'/'The = Discourse on Language' [different translations])=20
  • Ceci n'est pas une pipe (1973) (This Is Not a = Pipe)=20
  • Surveiller et punir (1975) (Dicipline and Punish: The = Birth=20 of the Prison)=20
  • Histoire de la sexualit=E9 (The History of = Sexuality)=20
  • Vol I: La Volont=E9 de savoir (1976) (The Will to=20 Knowledge)=20
  • Vol II: L'Usage des plaisirs (1984) (The Use of=20 Pleasure)=20
  • Vol III: Le Souci de soi (1984) (The Care of the = Self)=20
[edit]

Works available online

[edit]

External links

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3.2em; LINE-HEIGHT: 1.5em; = PADDING-TOP: 0px } LI { MARGIN-BOTTOM: 0.1em } DT { FONT-WEIGHT: bold; MARGIN-BOTTOM: 0.1em } DL { MARGIN-TOP: 0.2em; MARGIN-BOTTOM: 0.5em } DD { MARGIN-BOTTOM: 0.1em; MARGIN-LEFT: 2em; LINE-HEIGHT: 1.5em } FIELDSET { BORDER-RIGHT: #2f6fab 1px solid; PADDING-RIGHT: 1em; BORDER-TOP: = #2f6fab 1px solid; PADDING-LEFT: 1em; PADDING-BOTTOM: 1em; MARGIN: 1em = 0em; BORDER-LEFT: #2f6fab 1px solid; LINE-HEIGHT: 1.5em; PADDING-TOP: = 0em; BORDER-BOTTOM: #2f6fab 1px solid } LEGEND { PADDING-RIGHT: 0.5em; PADDING-LEFT: 0.5em; FONT-SIZE: 95%; BACKGROUND: = white; PADDING-BOTTOM: 0.5em; PADDING-TOP: 0.5em } FORM { MARGIN: 0px; BORDER-TOP-STYLE: none; BORDER-RIGHT-STYLE: none; = BORDER-LEFT-STYLE: none; BORDER-BOTTOM-STYLE: none } TEXTAREA { BORDER-RIGHT: #2f6fab 1px solid; PADDING-RIGHT: 0.1em; BORDER-TOP: = #2f6fab 1px solid; PADDING-LEFT: 0.1em; PADDING-BOTTOM: 0.1em; OVERFLOW: = auto; BORDER-LEFT: #2f6fab 1px solid; WIDTH: 100%; COLOR: black; = PADDING-TOP: 0.1em; BORDER-BOTTOM: #2f6fab 1px solid; BACKGROUND-COLOR: = white } @media All =20 { UNKNOWN { BORDER-RIGHT: #2f6fab 1px solid; PADDING-RIGHT: 0.2em; BORDER-TOP: = #2f6fab 1px solid; PADDING-LEFT: 0.2em; VISIBILITY: visible; = PADDING-BOTTOM: 0.2em; VERTICAL-ALIGN: middle; BORDER-LEFT: #2f6fab 1px = solid; COLOR: black; PADDING-TOP: 0.2em; BORDER-BOTTOM: #2f6fab 1px = solid; BACKGROUND-COLOR: white } } INPUT.historysubmit { PADDING-RIGHT: 0.3em! important; PADDING-LEFT: 0.3em! important; = FONT-SIZE: 94%; PADDING-BOTTOM: 0.3em! important; MARGIN-LEFT: 1.6em; = CURSOR: pointer; PADDING-TOP: 0px! important; HEIGHT: 1.7em! important } UNKNOWN { BORDER-TOP-STYLE: none; BORDER-RIGHT-STYLE: none; BORDER-LEFT-STYLE: = none; BORDER-BOTTOM-STYLE: none } SELECT { BORDER-RIGHT: #2f6fab 1px solid; BORDER-TOP: #2f6fab 1px solid; = VERTICAL-ALIGN: top; BORDER-LEFT: #2f6fab 1px solid; COLOR: black; = BORDER-BOTTOM: #2f6fab 1px solid } abbr { BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: help; COLOR: = black; BORDER-BOTTOM: black 1px dotted } ACRONYM { BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: help; COLOR: = black; BORDER-BOTTOM: black 1px dotted } .explain { BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: help; COLOR: = black; BORDER-BOTTOM: black 1px dotted } Q { FONT-STYLE: italic; FONT-FAMILY: Times, "Times New Roman", serif } CODE { BACKGROUND-COLOR: #f9f9f9 } PRE { BORDER-RIGHT: #2f6fab 1px dashed; PADDING-RIGHT: 1em; BORDER-TOP: = #2f6fab 1px dashed; PADDING-LEFT: 1em; PADDING-BOTTOM: 1em; BORDER-LEFT: = #2f6fab 1px dashed; COLOR: black; LINE-HEIGHT: 1.1em; PADDING-TOP: 1em; = BORDER-BOTTOM: #2f6fab 1px dashed; BACKGROUND-COLOR: #f9f9f9 } #siteSub { DISPLAY: none } #contentSub { FONT-SIZE: 84%; MARGIN: 0px 0px 1.4em 1em; WIDTH: auto; COLOR: #7d7d7d; = LINE-HEIGHT: 1.2em } SPAN.subpages { DISPLAY: block } #bodyContent H1 { MARGIN-BOTTOM: 0.6em } #bodyContent H2 { MARGIN-BOTTOM: 0.6em } #bodyContent H3 { MARGIN-BOTTOM: 0.3em } #bodyContent H4 { MARGIN-BOTTOM: 0.3em } #bodyContent H5 { MARGIN-BOTTOM: 0.3em } .firstHeading { MARGIN-BOTTOM: 0.1em } .usermessage { BORDER-RIGHT: #ffa500 1px solid; PADDING-RIGHT: 1em; BORDER-TOP: = #ffa500 1px solid; PADDING-LEFT: 1em; FONT-WEIGHT: bold; PADDING-BOTTOM: = 0.5em; MARGIN: 2em 0em 1em; VERTICAL-ALIGN: middle; BORDER-LEFT: #ffa500 = 1px solid; COLOR: black; PADDING-TOP: 0.5em; BORDER-BOTTOM: #ffa500 1px = solid; BACKGROUND-COLOR: #ffce7b } #siteNotice { PADDING-RIGHT: 0.9em; PADDING-LEFT: 0.9em; FONT-SIZE: 95%; = PADDING-BOTTOM: 0px; PADDING-TOP: 0px; TEXT-ALIGN: center } #siteNotice P { =09 } .error { FONT-SIZE: larger; COLOR: red } #catlinks { CLEAR: both; BORDER-RIGHT: #aaaaaa 1px solid; PADDING-RIGHT: 5px; = BORDER-TOP: #aaaaaa 1px solid; MARGIN-TOP: 1em; PADDING-LEFT: 5px; = PADDING-BOTTOM: 5px; BORDER-LEFT: #aaaaaa 1px solid; PADDING-TOP: 5px; = BORDER-BOTTOM: #aaaaaa 1px solid; BACKGROUND-COLOR: #f9f9f9 } .documentDescription { DISPLAY: block; FONT-WEIGHT: bold; MARGIN: 1em 0em; LINE-HEIGHT: 1.5em } .documentByLine { CLEAR: both; FONT-WEIGHT: normal; FONT-SIZE: 90%; COLOR: #76797c; = TEXT-ALIGN: right } .center { WIDTH: 100%; TEXT-ALIGN: center } .center { MARGIN-LEFT: auto; MARGIN-RIGHT: auto } .small { FONT-SIZE: 94% } .small { FONT-SIZE: 94% } TABLE.small { FONT-SIZE: 100% } #toc { BORDER-RIGHT: #aaaaaa 1px solid; PADDING-RIGHT: 5px; BORDER-TOP: = #aaaaaa 1px solid; PADDING-LEFT: 5px; FONT-SIZE: 95%; PADDING-BOTTOM: = 5px; BORDER-LEFT: #aaaaaa 1px solid; PADDING-TOP: 5px; BORDER-BOTTOM: = #aaaaaa 1px solid; BACKGROUND-COLOR: #f9f9f9 } #toc .tocindent { MARGIN-LEFT: 2em } #toc .tocline { MARGIN-BOTTOM: 0px } #toc P { MARGIN: 0px } #toc .toctoggle { FONT-SIZE: 94% } #toc .editsection { MARGIN-TOP: 0.7em; FONT-SIZE: 94% } DIV.floatright { CLEAR: right; BORDER-RIGHT: white 0px solid; BORDER-TOP: white 0.5em = solid; FLOAT: right; MARGIN: 0px; BORDER-LEFT: white 1.4em solid; = BORDER-BOTTOM: white 0.8em solid; POSITION: relative } TABLE.floatright { CLEAR: right; BORDER-RIGHT: white 0px solid; BORDER-TOP: white 0.5em = solid; FLOAT: right; MARGIN: 0px; BORDER-LEFT: white 1.4em solid; = BORDER-BOTTOM: white 0.8em solid; POSITION: relative } DIV.floatright P { FONT-STYLE: italic } DIV.floatleft { BORDER-RIGHT: white 1.4em solid; BORDER-TOP: white 0.5em solid; FLOAT: = left; MARGIN: 0.3em 0.5em 0.5em 0px; BORDER-LEFT: white 0px solid; = BORDER-BOTTOM: white 0.8em solid; POSITION: relative } TABLE.floatleft { BORDER-RIGHT: white 1.4em solid; BORDER-TOP: white 0.5em solid; FLOAT: = left; MARGIN: 0.3em 0.5em 0.5em 0px; BORDER-LEFT: white 0px solid; = BORDER-BOTTOM: white 0.8em solid; POSITION: relative } DIV.floatleft P { FONT-STYLE: italic } DIV.thumb { BORDER-LEFT-COLOR: white; MARGIN-BOTTOM: 0.5em; BORDER-BOTTOM-COLOR: = white; WIDTH: auto; BORDER-TOP-STYLE: solid; BORDER-TOP-COLOR: white; = BORDER-RIGHT-STYLE: solid; BORDER-LEFT-STYLE: solid; BORDER-RIGHT-COLOR: = white; BORDER-BOTTOM-STYLE: solid } DIV.thumb DIV { BORDER-RIGHT: #cccccc 1px solid; PADDING-RIGHT: 3px! important; = BORDER-TOP: #cccccc 1px solid; PADDING-LEFT: 3px! important; FONT-SIZE: = 94%; PADDING-BOTTOM: 3px! important; OVERFLOW: hidden; BORDER-LEFT: = #cccccc 1px solid; PADDING-TOP: 3px! important; BORDER-BOTTOM: #cccccc = 1px solid; BACKGROUND-COLOR: #f9f9f9; TEXT-ALIGN: center } DIV.thumb DIV A IMG { BORDER-RIGHT: #cccccc 1px solid; BORDER-TOP: #cccccc 1px solid; = BORDER-LEFT: #cccccc 1px solid; BORDER-BOTTOM: #cccccc 1px solid } DIV.thumb DIV DIV.thumbcaption { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0.1em; = BORDER-TOP-STYLE: none; LINE-HEIGHT: 1.4; PADDING-TOP: 0.3em; = BORDER-RIGHT-STYLE: none; BORDER-LEFT-STYLE: none; TEXT-ALIGN: left; = BORDER-BOTTOM-STYLE: none } DIV.magnify { BACKGROUND: none transparent scroll repeat 0% 0%; FLOAT: right; = BORDER-TOP-STYLE: none! important; BORDER-RIGHT-STYLE: none! important; = BORDER-LEFT-STYLE: none! important; BORDER-BOTTOM-STYLE: none! important } DIV.magnify A { DISPLAY: block; BACKGROUND: none transparent scroll repeat 0% 0%; = BORDER-TOP-STYLE: none! important; BORDER-RIGHT-STYLE: none! important; = BORDER-LEFT-STYLE: none! important; BORDER-BOTTOM-STYLE: none! important } DIV.magnify IMG { DISPLAY: block; BACKGROUND: none transparent scroll repeat 0% 0%; = BORDER-TOP-STYLE: none! important; BORDER-RIGHT-STYLE: none! important; = BORDER-LEFT-STYLE: none! important; BORDER-BOTTOM-STYLE: none! important } DIV.tright { BORDER-TOP-WIDTH: 0.5em; CLEAR: right; BORDER-LEFT-WIDTH: 1.4em; FLOAT: = right; BORDER-BOTTOM-WIDTH: 0.8em; BORDER-RIGHT-WIDTH: 0px } DIV.tleft { BORDER-TOP-WIDTH: 0.5em; BORDER-LEFT-WIDTH: 0px; FLOAT: left; = BORDER-BOTTOM-WIDTH: 0.8em; MARGIN-RIGHT: 0.5em; BORDER-RIGHT-WIDTH: = 1.4em } .urlexpansion { DISPLAY: none } .hiddenStructure { DISPLAY: none } IMG.tex { VERTICAL-ALIGN: middle } SPAN.texhtml { FONT-FAMILY: serif } TABLE.rimage { FLOAT: right; MARGIN-BOTTOM: 1em; MARGIN-LEFT: 1em; POSITION: relative; = TEXT-ALIGN: center } .toccolours { BORDER-RIGHT: #aaaaaa 1px solid; PADDING-RIGHT: 5px; BORDER-TOP: = #aaaaaa 1px solid; PADDING-LEFT: 5px; FONT-SIZE: 95%; PADDING-BOTTOM: = 5px; BORDER-LEFT: #aaaaaa 1px solid; PADDING-TOP: 5px; BORDER-BOTTOM: = #aaaaaa 1px solid; BACKGROUND-COLOR: #f9f9f9 } DIV.townBox { CLEAR: right; PADDING-RIGHT: 0.3em; PADDING-LEFT: 0.3em; BACKGROUND: = white; FLOAT: right; PADDING-BOTTOM: 0.3em; MARGIN-LEFT: 1em; OVERFLOW: = hidden; WIDTH: 200px; PADDING-TOP: 0.3em; POSITION: relative } DIV.townBox DL { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; FONT-SIZE: 96%; PADDING-BOTTOM: = 0px; MARGIN: 0px 0px 0.3em; PADDING-TOP: 0px } DIV.townBox DL DT { BACKGROUND: none transparent scroll repeat 0% 0%; MARGIN: 0.4em 0px 0px } DIV.townBox DL DD { MARGIN: 0.1em 0px 0px 1.1em; BACKGROUND-COLOR: #f3f3f3 } .special LI { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; LINE-HEIGHT: 1.4em; PADDING-TOP: 0px } .autocomment { COLOR: gray } #pagehistory SPAN.user { MARGIN-LEFT: 1.4em; MARGIN-RIGHT: 0.4em } #pagehistory SPAN.minor { FONT-WEIGHT: bold } #pagehistory LI { BORDER-RIGHT: white 1px solid; BORDER-TOP: white 1px solid; = BORDER-LEFT: white 1px solid; BORDER-BOTTOM: white 1px solid } #pagehistory LI.selected { BORDER-RIGHT: #aaaaaa 1px dashed; BORDER-TOP: #aaaaaa 1px dashed; = BORDER-LEFT: #aaaaaa 1px dashed; BORDER-BOTTOM: #aaaaaa 1px dashed; = BACKGROUND-COLOR: #f9f9f9 } TABLE.diff { BACKGROUND: white } TD.diff-otitle { BACKGROUND: #ffffff } TD.diff-ntitle { BACKGROUND: #ffffff } TD.diff-addedline { FONT-SIZE: smaller; BACKGROUND: #ccffcc } TD.diff-deletedline { FONT-SIZE: smaller; BACKGROUND: #ffffaa } TD.diff-context { FONT-SIZE: smaller; BACKGROUND: #eeeeee } SPAN.diffchange { COLOR: red } UNKNOWN { PADDING-RIGHT: 13px; BACKGROUND: url(external.png) no-repeat right = center } UNKNOWN { PADDING-RIGHT: 16px; BACKGROUND: url(lock_icon.gif) no-repeat right = center } UNKNOWN { PADDING-RIGHT: 18px; BACKGROUND: url(mail_icon.gif) no-repeat right = center } UNKNOWN { PADDING-RIGHT: 18px; BACKGROUND: url(news_icon.png) no-repeat right = center } UNKNOWN { PADDING-RIGHT: 18px; BACKGROUND: url(file_icon.gif) no-repeat right = center } UNKNOWN { PADDING-RIGHT: 18px; BACKGROUND: url(discussionitem_icon.gif) no-repeat = right center } #bodyContent A.extiw { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; COLOR: #3366bb; PADDING-TOP: = 0px } #bodyContent A.extiw:active { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; COLOR: #3366bb; PADDING-TOP: = 0px } #bodyContent A.external { COLOR: #3366bb } #bodyContent .plainlinks A { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; PADDING-TOP: 0px } .portlet { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; FLOAT: none; PADDING-BOTTOM: = 0px; MARGIN: 0px 0px 0.5em 0em; OVERFLOW: hidden; WIDTH: 11.6em; = BORDER-TOP-STYLE: none; PADDING-TOP: 0px; BORDER-RIGHT-STYLE: none; = BORDER-LEFT-STYLE: none; BORDER-BOTTOM-STYLE: none } .portlet H4 { FONT-WEIGHT: normal; FONT-SIZE: 95%; WHITE-SPACE: nowrap } .portlet H5 { PADDING-RIGHT: 1em; DISPLAY: inline; PADDING-LEFT: 0.5em; FONT-WEIGHT: = normal; FONT-SIZE: 91%; BACKGROUND: none transparent scroll repeat 0% = 0%; PADDING-BOTTOM: 0em; TEXT-TRANSFORM: lowercase; PADDING-TOP: 0em; = WHITE-SPACE: nowrap; HEIGHT: 1em } .portlet H6 { BORDER-RIGHT: #2f6fab 1px solid; PADDING-RIGHT: 1em; BORDER-TOP: = #2f6fab 1px solid; DISPLAY: block; PADDING-LEFT: 1em; FONT-WEIGHT: = normal; FONT-SIZE: 1em; BACKGROUND: #ffae2e; PADDING-BOTTOM: 0em; = TEXT-TRANSFORM: lowercase; BORDER-LEFT: #2f6fab 1px solid; PADDING-TOP: = 0em; BORDER-BOTTOM: #2f6fab 1px; WHITE-SPACE: nowrap; HEIGHT: 1.2em } .pBody { BORDER-RIGHT: #aaaaaa 1px solid; PADDING-RIGHT: 0.8em; BORDER-TOP: = #aaaaaa 1px solid; PADDING-LEFT: 0.5em; FONT-SIZE: 95%; BACKGROUND: = white; PADDING-BOTTOM: 0.3em; BORDER-LEFT: #aaaaaa 1px solid; = PADDING-TOP: 0px; BORDER-BOTTOM: #aaaaaa 1px solid; BORDER-COLLAPSE: = collapse } .portlet H1 { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; PADDING-TOP: 0px } .portlet H2 { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; PADDING-TOP: 0px } .portlet H3 { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; PADDING-TOP: 0px } .portlet H4 { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; PADDING-TOP: 0px } .portlet UL { FONT-SIZE: 95%; LIST-STYLE-IMAGE: url(bullet.gif); LINE-HEIGHT: 1.5em; = LIST-STYLE-TYPE: square } .portlet LI { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: = 0px; PADDING-TOP: 0px } #p-logo { Z-INDEX: 3; LEFT: 0px; OVERFLOW: visible; WIDTH: 12em; POSITION: = absolute; TOP: 0px; HEIGHT: 155px } #p-logo H5 { DISPLAY: none } #p-logo A { BACKGROUND-POSITION: 35% 50%; DISPLAY: block; WIDTH: 12.2em; = BACKGROUND-REPEAT: no-repeat; HEIGHT: 155px; TEXT-DECORATION: none } #p-logo A:hover { BACKGROUND-POSITION: 35% 50%; DISPLAY: block; WIDTH: 12.2em; = BACKGROUND-REPEAT: no-repeat; HEIGHT: 155px; TEXT-DECORATION: none } #p-nav { Z-INDEX: 3; POSITION: relative } #p-search { Z-INDEX: 3; POSITION: relative } #p-search .pBody { TEXT-ALIGN: center } INPUT.searchButton { BORDER-RIGHT: #2f6fab 1px solid; PADDING-RIGHT: 0.4em! important; = BORDER-TOP: #2f6fab 1px solid; MARGIN-TOP: 1px; PADDING-LEFT: 0.4em! = important; FONT-SIZE: 95%; PADDING-BOTTOM: 0px! important; BORDER-LEFT: = #2f6fab 1px solid; CURSOR: pointer; PADDING-TOP: 0px! important; = BORDER-BOTTOM: #2f6fab 1px solid; BACKGROUND-COLOR: white } #searchInput { BORDER-RIGHT: #2f6fab 1px solid; BORDER-TOP: #2f6fab 1px solid; = FONT-SIZE: 95%; MARGIN: 0px; BORDER-LEFT: #2f6fab 1px solid; WIDTH: = 10.9em; BORDER-BOTTOM: #2f6fab 1px solid } #p-search .pBody { PADDING-RIGHT: 0.4em; PADDING-LEFT: 0.4em; PADDING-BOTTOM: 0.4em; = PADDING-TOP: 0.5em } #p-personal { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; = OVERFLOW: visible; WIDTH: 100%; BORDER-TOP-STYLE: none; LINE-HEIGHT: = 1.2em; PADDING-TOP: 0px; BORDER-RIGHT-STYLE: none; WHITE-SPACE: nowrap; = BORDER-LEFT-STYLE: none; POSITION: absolute; TOP: 0px; = BORDER-BOTTOM-STYLE: none } #p-personal H5 { DISPLAY: none } #p-personal .portlet { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; MARGIN: 0px; OVERFLOW: = visible; BORDER-TOP-STYLE: none; PADDING-TOP: 0px; BORDER-RIGHT-STYLE: = none; BORDER-LEFT-STYLE: none; BORDER-BOTTOM-STYLE: none } #p-personal .pBody { PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; MARGIN: 0px; OVERFLOW: = visible; BORDER-TOP-STYLE: none; PADDING-TOP: 0px; BORDER-RIGHT-STYLE: = none; BORDER-LEFT-STYLE: none; BORDER-BOTTOM-STYLE: none } #p-personal UL { PADDING-RIGHT: 2em; PADDING-LEFT: 3em; BACKGROUND: none transparent = scroll repeat 0% 0%; PADDING-BOTTOM: 0px; MARGIN: 0px; TEXT-TRANSFORM: = lowercase; COLOR: #2f6fab; BORDER-TOP-STYLE: none; LINE-HEIGHT: 1.4em; = PADDING-TOP: 0em; BORDER-RIGHT-STYLE: none; BORDER-LEFT-STYLE: none; = LIST-STYLE-TYPE: none; TEXT-ALIGN: right; BORDER-BOTTOM-STYLE: none } #p-personal LI { PADDING-RIGHT: 0px; DISPLAY: inline; PADDING-LEFT: 0px; BACKGROUND: = none transparent scroll repeat 0% 0%; PADDING-BOTTOM: 0px; MARGIN-LEFT: = 1em; COLOR: #2f6fab; BORDER-TOP-STYLE: none; LINE-HEIGHT: 1.2em; = PADDING-TOP: 0px; BORDER-RIGHT-STYLE: none; BORDER-LEFT-STYLE: none; = BORDER-BOTTOM-STYLE: none } #p-personal LI A { BACKGROUND: none transparent scroll repeat 0% 0%; PADDING-BOTTOM: = 0.2em; COLOR: #005896; TEXT-DECORATION: none } #p-personal LI A:hover { PADDING-BOTTOM: 0.2em; BACKGROUND-COLOR: white; TEXT-DECORATION: none } LI#pt-userpage { PADDING-LEFT: 20px; BACKGROUND: url(user.gif) 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PADDING-LEFT: 0px; BORDER-LEFT-COLOR: #fabd23; = BORDER-BOTTOM-COLOR: #fabd23; PADDING-BOTTOM: 0.2em; BORDER-TOP-COLOR: = #fabd23; PADDING-TOP: 0px; BORDER-RIGHT-COLOR: #fabd23 } #p-cactions LI A { PADDING-RIGHT: 0.8em; PADDING-LEFT: 0.8em; PADDING-BOTTOM: 0.3em; = MARGIN: 0px; TEXT-TRANSFORM: lowercase; COLOR: #002bb8; = BORDER-TOP-STYLE: none; PADDING-TOP: 0px; BORDER-RIGHT-STYLE: none; = BORDER-LEFT-STYLE: none; POSITION: relative; BACKGROUND-COLOR: white; = TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: none } #p-cactions .selected A { Z-INDEX: 3 } #p-cactions .new A { COLOR: #ba0000 } #p-cactions LI A:hover { Z-INDEX: 3; TEXT-DECORATION: none } #p-cactions H5 { DISPLAY: none } #p-cactions LI.istalk { MARGIN-RIGHT: 0px } #p-cactions LI.istalk A { PADDING-RIGHT: 0.5em } #p-cactions #ca-addsection A { PADDING-RIGHT: 0.4em; PADDING-LEFT: 0.4em } LI#ca-talk { MARGIN-RIGHT: 1.6em } LI#ca-watch { MARGIN-LEFT: 1.6em } LI#ca-watch { MARGIN-LEFT: 1.6em } #p-tbx { Z-INDEX: 3; POSITION: relative 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ta['pt-anonuserpage'] =3D new Array('.','The user page for the ip =
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ta['pt-mytalk'] =3D new Array('n','My talk page'); =0A=
ta['pt-anontalk'] =3D new Array('n','Discussion about edits from this ip =
address'); =0A=
ta['pt-preferences'] =3D new Array('','My preferences'); =0A=
ta['pt-watchlist'] =3D new Array('l','The list of pages you\'re =
monitoring for changes.'); =0A=
ta['pt-mycontris'] =3D new Array('y','List of my contributions'); =0A=
ta['pt-login'] =3D new Array('o','You are encouraged to log in, it is =
not mandatory however.'); =0A=
ta['pt-anonlogin'] =3D new Array('o','You are encouraged to log in, it =
is not mandatory however.'); =0A=
ta['pt-logout'] =3D new Array('o','Log out'); =0A=
ta['ca-talk'] =3D new Array('t','Discussion about the content page'); =0A=
ta['ca-edit'] =3D new Array('e','You can edit this page. Please use the =
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ta['ca-history'] =3D new Array('h','Past versions of this page.'); =0A=
ta['ca-protect'] =3D new Array('=3D','Protect this page'); =0A=
ta['ca-delete'] =3D new Array('d','Delete this page'); =0A=
ta['ca-undelete'] =3D new Array('d','Restore the edits done to this page =
before it was deleted'); =0A=
ta['ca-move'] =3D new Array('m','Move this page'); =0A=
ta['ca-nomove'] =3D new Array('','You don\'t have the permissions to =
move this page'); =0A=
ta['ca-watch'] =3D new Array('w','Add this page to your watchlist'); =0A=
ta['ca-unwatch'] =3D new Array('w','Remove this page from your =
watchlist'); =0A=
ta['search'] =3D new Array('f','Search this wiki'); =0A=
ta['p-logo'] =3D new Array('','Main Page'); =0A=
ta['n-mainpage'] =3D new Array('z','Visit the Main Page'); =0A=
ta['n-portal'] =3D new Array('','About the project, what you can do, =
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ta['n-currentevents'] =3D new Array('','Find background information on =
current events'); =0A=
ta['n-recentchanges'] =3D new Array('r','The list of recent changes in =
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ta['n-randompage'] =3D new Array('x','Load a random page'); =0A=
ta['n-help'] =3D new Array('','The place to find out.'); =0A=
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ta['feed-atom'] =3D new Array('','Atom feed for this page'); =0A=
ta['t-contributions'] =3D new Array('','View the list of contributions =
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ta['t-emailuser'] =3D new Array('','Send a mail to this user'); =0A=
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ta['t-specialpages'] =3D new Array('q','List of all special pages'); =0A=
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ta['ca-nstab-user'] =3D new Array('c','View the user page'); =0A=
ta['ca-nstab-media'] =3D new Array('c','View the media page'); =0A=
ta['ca-nstab-special'] =3D new Array('','This is a special page; you =
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ta['ca-nstab-wp'] =3D new Array('c','View the project page'); =0A=
ta['ca-nstab-image'] =3D new Array('c','View the image page'); =0A=
ta['ca-nstab-mediawiki'] =3D new Array('c','View the system message'); =0A=
ta['ca-nstab-template'] =3D new Array('c','View the template'); =0A=
ta['ca-nstab-help'] =3D new Array('c','View the help page'); =0A=
ta['ca-nstab-category'] =3D new Array('c','View the category page');=0A=
/*=0A=
=0A= */ ------=_NextPart_000_0005_01C4E6B2.1D152A30 Content-Type: application/octet-stream Content-Transfer-Encoding: quoted-printable Content-Location: http://en.wikipedia.org/style/wikibits.js // Wikipedia JavaScript support functions=0A= // if this is true, the toolbar will no longer overwrite the infobox = when you move the mouse over individual items=0A= var noOverwrite=3Dfalse;=0A= var alertText;=0A= var clientPC =3D navigator.userAgent.toLowerCase(); // Get client info=0A= var is_gecko =3D ((clientPC.indexOf('gecko')!=3D-1) && = (clientPC.indexOf('spoofer')=3D=3D-1)=0A= && (clientPC.indexOf('khtml') =3D=3D -1) && = (clientPC.indexOf('netscape/7.0')=3D=3D-1));=0A= var is_safari =3D ((clientPC.indexOf('AppleWebKit')!=3D-1) && = (clientPC.indexOf('spoofer')=3D=3D-1));=0A= var is_khtml =3D (navigator.vendor =3D=3D 'KDE' || ( document.childNodes = && !document.all && !navigator.taintEnabled ));=0A= if (clientPC.indexOf('opera')!=3D-1) {=0A= var is_opera =3D true;=0A= var is_opera_preseven =3D (window.opera && !document.childNodes);=0A= var is_opera_seven =3D (window.opera && document.childNodes);=0A= }=0A= =0A= // add any onload functions in this hook (please don't hard-code any = events in the xhtml source)=0A= function onloadhook () {=0A= // don't run anything below this for non-dom browsers=0A= if(!(document.getElementById && document.getElementsByTagName)) = return;=0A= histrowinit();=0A= unhidetzbutton();=0A= tabbedprefs();=0A= akeytt();=0A= }=0A= if (window.addEventListener) = window.addEventListener("load",onloadhook,false);=0A= else if (window.attachEvent) window.attachEvent("onload",onloadhook);=0A= =0A= =0A= // document.write special stylesheet links=0A= if(typeof stylepath !=3D 'undefined' && typeof skin !=3D 'undefined') {=0A= if (is_opera_preseven) {=0A= document.write('');=0A= } else if (is_opera_seven) {=0A= document.write('');=0A= } else if (is_khtml) {=0A= document.write('');=0A= }=0A= }=0A= // Un-trap us from framesets=0A= if( window.top !=3D window ) window.top.location =3D window.location;=0A= =0A= // for enhanced RecentChanges=0A= function toggleVisibility( _levelId, _otherId, _linkId) {=0A= var thisLevel =3D document.getElementById( _levelId );=0A= var otherLevel =3D document.getElementById( _otherId );=0A= var linkLevel =3D document.getElementById( _linkId );=0A= if ( thisLevel.style.display =3D=3D 'none' ) {=0A= thisLevel.style.display =3D 'block';=0A= otherLevel.style.display =3D 'none';=0A= linkLevel.style.display =3D 'inline';=0A= } else {=0A= thisLevel.style.display =3D 'none';=0A= otherLevel.style.display =3D 'inline';=0A= linkLevel.style.display =3D 'none';=0A= }=0A= }=0A= =0A= // page history stuff=0A= // attach event handlers to the input elements on history page=0A= function histrowinit () {=0A= hf =3D document.getElementById('pagehistory');=0A= if(!hf) return;=0A= lis =3D hf.getElementsByTagName('LI');=0A= for (i=3D0;i=3D 0) ? "-" : "+") + ((tzHour < 10) ? "0" : = "") + tzHour + ((tzMin < 10) ? "0" : "") + tzMin;=0A= if( tz !=3D tzString ) {=0A= var junk =3D msg.split( '$1' );=0A= document.write( junk[0] + "UTC" + tzString + junk[1] );=0A= }=0A= }=0A= function unhidetzbutton() {=0A= tzb =3D document.getElementById('guesstimezonebutton')=0A= if(tzb) tzb.style.display =3D 'inline';=0A= }=0A= =0A= // in [-]HH:MM format...=0A= // won't yet work with non-even tzs=0A= function fetchTimezone() {=0A= // FIXME: work around Safari bug=0A= var localclock =3D new Date();=0A= // returns negative offset from GMT in minutes=0A= var tzRaw =3D localclock.getTimezoneOffset();=0A= var tzHour =3D Math.floor( Math.abs(tzRaw) / 60);=0A= var tzMin =3D Math.abs(tzRaw) % 60;=0A= var tzString =3D ((tzRaw >=3D 0) ? "-" : "") + ((tzHour < 10) ? "0" : = "") + tzHour +=0A= ":" + ((tzMin < 10) ? "0" : "") + tzMin;=0A= return tzString;=0A= }=0A= =0A= function guessTimezone(box) {=0A= document.preferences.wpHourDiff.value =3D fetchTimezone();=0A= }=0A= =0A= function showTocToggle(show,hide) {=0A= if(document.getElementById) {=0A= document.writeln('[' +=0A= '' + show + '' +=0A= '' + hide + ''=0A= + ']');=0A= }=0A= }=0A= =0A= =0A= function toggleToc() {=0A= var toc =3D document.getElementById('tocinside');=0A= var showlink=3Ddocument.getElementById('showlink');=0A= var hidelink=3Ddocument.getElementById('hidelink');=0A= if(toc.style.display =3D=3D 'none') {=0A= toc.style.display =3D tocWas;=0A= hidelink.style.display=3D'';=0A= showlink.style.display=3D'none';=0A= =0A= } else {=0A= tocWas =3D toc.style.display;=0A= toc.style.display =3D 'none';=0A= hidelink.style.display=3D'none';=0A= showlink.style.display=3D'';=0A= =0A= }=0A= }=0A= =0A= // this function generates the actual toolbar buttons with localized text=0A= // we use it to avoid creating the toolbar where javascript is not = enabled=0A= function addButton(imageFile, speedTip, tagOpen, tagClose, sampleText) {=0A= =0A= speedTip=3DescapeQuotes(speedTip);=0A= tagOpen=3DescapeQuotes(tagOpen);=0A= tagClose=3DescapeQuotes(tagClose);=0A= sampleText=3DescapeQuotes(sampleText);=0A= var mouseOver=3D"";=0A= =0A= // we can't change the selection, so we show example texts=0A= // when moving the mouse instead, until the first button is clicked=0A= if(!document.selection && !is_gecko) {=0A= // filter backslashes so it can be shown in the infobox=0A= var re=3Dnew RegExp("\\\\n","g");=0A= tagOpen=3DtagOpen.replace(re,"");=0A= tagClose=3DtagClose.replace(re,"");=0A= mouseOver =3D = "onMouseover=3D\"if(!noOverwrite){document.infoform.infobox.value=3D'"+ta= gOpen+sampleText+tagClose+"'};\"";=0A= }=0A= =0A= document.write("");=0A= =0A= document.write("3D\""+speedTip+"\"");=0A= document.write("");=0A= return;=0A= }=0A= =0A= function addInfobox(infoText,text_alert) {=0A= alertText=3Dtext_alert;=0A= var clientPC =3D navigator.userAgent.toLowerCase(); // Get client info=0A= =0A= var re=3Dnew RegExp("\\\\n","g");=0A= alertText=3DalertText.replace(re,"\n");=0A= =0A= // if no support for changing selection, add a small copy & paste field=0A= // document.selection is an IE-only property. The full toolbar works in = IE and=0A= // Gecko-based browsers.=0A= if(!document.selection && !is_gecko) {=0A= infoText=3DescapeQuotesHTML(infoText);=0A= document.write("
"+=0A= "
");=0A= }=0A= =0A= }=0A= =0A= function escapeQuotes(text) {=0A= var re=3Dnew RegExp("'","g");=0A= text=3Dtext.replace(re,"\\'");=0A= re=3Dnew RegExp('"',"g");=0A= text=3Dtext.replace(re,'"');=0A= re=3Dnew RegExp("\\n","g");=0A= text=3Dtext.replace(re,"\\n");=0A= return text;=0A= }=0A= =0A= function escapeQuotesHTML(text) {=0A= var re=3Dnew RegExp('"',"g");=0A= text=3Dtext.replace(re,""");=0A= return text;=0A= }=0A= =0A= // apply tagOpen/tagClose to selection in textarea,=0A= // use sampleText instead of selection if there is none=0A= // copied and adapted from phpBB=0A= function insertTags(tagOpen, tagClose, sampleText) {=0A= =0A= var txtarea =3D document.editform.wpTextbox1;=0A= // IE=0A= if(document.selection && !is_gecko) {=0A= var theSelection =3D document.selection.createRange().text;=0A= if(!theSelection) { theSelection=3DsampleText;}=0A= txtarea.focus();=0A= if(theSelection.charAt(theSelection.length - 1) =3D=3D " "){// exclude = ending space char, if any=0A= theSelection =3D theSelection.substring(0, theSelection.length - 1);=0A= document.selection.createRange().text =3D tagOpen + theSelection + = tagClose + " ";=0A= } else {=0A= document.selection.createRange().text =3D tagOpen + theSelection + = tagClose;=0A= }=0A= =0A= // Mozilla=0A= } else if(txtarea.selectionStart || txtarea.selectionStart =3D=3D '0') {=0A= var startPos =3D txtarea.selectionStart;=0A= var endPos =3D txtarea.selectionEnd;=0A= var scrollTop=3Dtxtarea.scrollTop;=0A= var myText =3D (txtarea.value).substring(startPos, endPos);=0A= if(!myText) { myText=3DsampleText;}=0A= if(myText.charAt(myText.length - 1) =3D=3D " "){ // exclude ending = space char, if any=0A= subst =3D tagOpen + myText.substring(0, (myText.length - 1)) + = tagClose + " ";=0A= } else {=0A= subst =3D tagOpen + myText + tagClose;=0A= }=0A= txtarea.value =3D txtarea.value.substring(0, startPos) + subst +=0A= txtarea.value.substring(endPos, txtarea.value.length);=0A= txtarea.focus();=0A= =0A= var cPos=3DstartPos+(tagOpen.length+myText.length+tagClose.length);=0A= txtarea.selectionStart=3DcPos;=0A= txtarea.selectionEnd=3DcPos;=0A= txtarea.scrollTop=3DscrollTop;=0A= =0A= // All others=0A= } else {=0A= var copy_alertText=3DalertText;=0A= var re1=3Dnew RegExp("\\$1","g");=0A= var re2=3Dnew RegExp("\\$2","g");=0A= copy_alertText=3Dcopy_alertText.replace(re1,sampleText);=0A= = copy_alertText=3Dcopy_alertText.replace(re2,tagOpen+sampleText+tagClose);=0A= var text;=0A= if (sampleText) {=0A= text=3Dprompt(copy_alertText);=0A= } else {=0A= text=3D"";=0A= }=0A= if(!text) { text=3DsampleText;}=0A= text=3DtagOpen+text+tagClose;=0A= document.infoform.infobox.value=3Dtext;=0A= // in Safari this causes scrolling=0A= if(!is_safari) {=0A= txtarea.focus();=0A= }=0A= noOverwrite=3Dtrue;=0A= }=0A= // reposition cursor if possible=0A= if (txtarea.createTextRange) txtarea.caretPos =3D = document.selection.createRange().duplicate();=0A= }=0A= =0A= function akeytt() {=0A= if(typeof ta =3D=3D "undefined" || !ta) return;=0A= pref =3D 'alt-';=0A= if(is_safari || navigator.userAgent.toLowerCase().indexOf( 'mac' ) + = 1 ) pref =3D 'control-';=0A= if(is_opera) pref =3D 'shift-esc-';=0A= for(id in ta) {=0A= n =3D document.getElementById(id);=0A= if(n){=0A= a =3D n.childNodes[0];=0A= if(a){=0A= if(ta[id][0].length > 0) {=0A= a.accessKey =3D ta[id][0];=0A= ak =3D ' ['+pref+ta[id][0]+']';=0A= } else {=0A= ak =3D '';=0A= }=0A= a.title =3D ta[id][1]+ak;=0A= } else {=0A= if(ta[id][0].length > 0) {=0A= n.accessKey =3D ta[id][0];=0A= ak =3D ' ['+pref+ta[id][0]+']';=0A= } else {=0A= ak =3D '';=0A= }=0A= n.title =3D ta[id][1]+ak;=0A= }=0A= }=0A= }=0A= }=0A= ------=_NextPart_000_0005_01C4E6B2.1D152A30--